the Edmonton Sun Thursday August 20. 1987
GONE WITH THE FRINGE :Musings left crowd baffled
By NEAL WATSON Staff Writer
Joe Lewis in costume as one of his four Where You Goin’, The Mall? characters. However, only the changes in attire distinguished their personalities. (Monica Manly of Colour Your World Cosmetics)
—Photo by Robert TaylorAlthough billed as a multi-media performance, Where You Goin The Mall? does not entertain or provoke — or provide even remotely interesting viewing on any level. With slides blinking random newspaper clippings about shopping malls on three different screens, writer/actor Joe Lewis engages in a monotonous, seemingly off-the-cuff, monologue. The common thread is his erratic lecture-style musings about the sociological significance of mall shopping. It is not worth taking notes. During the course of the performance, Lewis disappears behind the screens for what seems an eternity, eventually returning as one of the four characters be plays in the Fringe production. The characters are essentially interchangeable, with only costumes to distinguish them. Lewis then continues his lecture to a totally baffled crowd. Most of the audience couldn’t fathom this one and made for the exit when Lewis conveniently disappeared behind his screens to change.
The Edmonton Journal Friday August 21, 1987 — James Adams
Where You Goin’, The Mall? (Stage 8)
You’ve heard of performances? Well, how about an anti-performance? That’s what Ottawa actor- writer Joe Lewis delivers in this intentionally atrocious 40-minute mixed-media one-hander that may or may not be “a quasi- examination of information and how it’s presented
Lewis plays four characters — Monica Manly, a beautician; Bill C-54, “a comic-book character;” John Cruising, a businessman; Zap, a janitor turn clown. They each deliver utterly banal, seemingly off-the-cuff monologues while sitting before three running TV sets and three screens backlit with slides of paintings, newspaper clippings about shopping malls, a picture of Marxist theorist Walter Benjamin, slogans and a photo of a brick wall, among others. At one point, Lewis scatters balloons among the audience. Later he hands out advertising flyers. There’s talk about sex in mall washrooms and being videotaped by the police.
Actually, to say that Lewis “plays” these characters is to over state the case. About the only thing that distinguishes each character is the costumes Lewis changes into behind-screen. Throughout all this, Lewis’s rambling delivery remains flat, un- involving, off-hand; it’s as if he’s perversely determined to give the audience the worst possible experience of the Fringe, to tread that line between “boring” and “intriguing.” You won’t enjoy Where You Goin’, the Mall? But it’s awfully interesting, and interestingly awful, in its wilful refusal to entertain.
THE VANCOUVER SUN, Thursday, September 17, 1987
Split Skits: some funny, some flat By LLOYD DYKK
At the Western Front, Ottawa’s Joe Lewis has a piece of performance art called Where Ya Goin’ — the Mall? It’s bland, vague and unstructured and that may be the point, considering the subject. The one thing it’s not that malls are is disorienting. You’re always aware that this is performance art.
There weren’t many shoppers there on Wednesday night — maybe eight people — but Louis was valiant. While slide project ions of malls in various states of activity flashed on three screens and videos played on two TVs, he portrayed four mall denizens:
Monica Manley, a salesclerk at a “color your life” cosmetics counter; Bill C52, a cartoon boy born at age 20; a straight man in the habit of frequenting wash- rooms for illicit purposes; and a janitor/part-time clown. None of these is as developed as you might hope.
The commentary was as rambling and flat-toned as mall life and seemed largely improvised. It’s a very loose show. Maybe the funniest and loosest thing Lewis does is hand each member of the audience a copy of Plain Truth magazine to riffle through while he goes behind the screen to get into another costume.