Sunday, June 09, 2019

Other People's Clothes (Stories Not often told) Joe Lewis 2019


Shirt: Black Ice Apparel “Your personal brand“ - 6XT 100% cotton
,Pants; haggar 56 60% polyester 40% cotton
Other People's Clothes

I have been dealing with other people's clothes most of my life. First it was hand me downs simply because of the size of my family and the rate of growth of my older siblings. At the age of 7 I put my spiritual life at risk and joined the Cub Scouts. I was Catholic and the meetings were in the Protestant church, and it didn't fall down around my ears as one nun from school suggested. She was my music teacher and choir master and did not want me distracted from singing. I really joined so I could hang out with my best friend who went to a different school but we sat with each other on the school bus. One day he was on his bike and got run over by a transport truck.
This tree was planted to commemorate the short life of my friend after he was run over by a transport truck on his bike,
Craig Bennett 1959 - 1970
“ Great green gobs of greasy, grimy, gopher guts, mutilated monkey meat, toasted ...” as one of my brothers sang while another described the imagined clean up, neither being aware of our friendship and simply doing it because they were boys and nothing like that had happened in our lifetime. A few months later his mother gave me his Cub Scout uniform because my mother assumed she knew we couldn't afford one, I think she gave it to me as a memento-mori. I wore it once and was told to take off the badges I hadn't earned. I never wore it again except in a parade a few months later badges and all. I left it intact because that seemed the right thing to do.




Great green gobs…as a teenager I made an income buying and selling vintage clothes some very posh suits I recognized as belonging to older gentlemen of the parish who were snappy dressers. You can't find suits like that at Value Village nowadays. When my father passed away I was given / took his newest shoes, a pair of classic brown brogues, one in perfect condition the other showing wear. My father had a wooden leg. I painted the perfect one gold and they were more often a display item, like bronze baby shoes, than worn. Both the Cub Scout shirt and the shoes were with me until I was robbed in 1987.




On the 5th of May 2018 my brother died, he had been born on 5th of May 1955 giving his passing an awkward kind of symmetry. A few months later his daughter in law got in touch with me his wife and his two daughters and proposed that some kind of family quilts could be made from his clothing. Each family member could have one and we could all work on them. She had gotten the idea from an episode of The Queer Eye. I was included in this conversation for the obvious reason that I am a textile artist. As arranged I picked up the clothes, 4 shirts and two pairs of pants and proceeded to dismantle them and cut the cloth into 4 ½ inch squares. At this point the story/ quilts remain stacks of 4 ½ inch squares. Almost and not quite.


Shirt: Black Ice Apparel “Your personal brand“ - 6XT 100% cotton,
Pants; haggar 56 60% polyester 40% cotton
Buttons from Jane Holden Kelley 1928- 2018 mother of my partner Thomas Michael Kelley February 10, 1961-December 29, 1987
Design of the embroidered letters taken from Bruce's and my mother's Betty Jean Lewis (1930 and still going) Grade 8 sketchbook

When it came to cutting up my brother’s clothes I was struck by the thought of doing so methodically and documenting the process, which I did with one shirt and one pair of pants. I cut out panels one at a time then lay them flat and photographed them: the shirt on grass and the pants on cobblestones. It seemed the right thing to

Gone But Not A/P on engineering paper 2019 and
9-Patch quilt square embellished 2019

Great green globs of greasy, grimy gopher guts,
Mutilated monkey meat.
French fried flamingo feet.
French fried eyeballs swimming in a pool of blood
And me without my spoon.[4]


The Text, 9-Patch quilt square and print were created to be in a community installation and catalogue project called "Worn Worlds" May 30- June 7 2019. It was part of Canadian weaver/ artist Line Dufour's 2018 -2019 John Willard Residency at the Art Gallery of Burlington, Burlington Ontario  

Art Gallery of Burlington 

Line Dufour

Thursday, June 21, 2018

New #MudFlapBoy Pin Up Calender


Now Available at Velvet Highway INk 
$20 US 

 Wall Calendar 11" x 17" in PDF format for you to "Print Yourself "
This is a collection of Canadian Textile Artist Joe Lewis artworks and designs including: pictorial jacquard woven textile designs fabric appliqué, photographs of a #MudFlapBoy "doll" in the landscape and even a painted icing Gingerbread Cookie. these are images from an ongoing body of art works about how  LGBT / Humans fit into the world.

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Wednesday, May 09, 2018

May 9 2018 Drawing at the Museum

CHUU / A BLAZING PASSION 1999
Tie - dying and ink painting, gold leaf and embroidery on Silk crepe (chirimen) with gold wefts
198 x 139 cm
IKMC - 0738
watercolour pencil crayon (needs water)



Textile Museum of Canada

Today was possibly my last chance to see ARTISTRY IN SILK: THE KIMONO OF ITCHIKU KUBOTA Curated by: Jacqueline Marx Atkins which closes on May 13. I took the opportunity to draw impressions of two more of the Kimono

detail of AIO / HOLLYHOCK (SYMBOL) 1983
Tie - dying and ink painting on Silk crepe (chirimen) with gold wefts
193 x 132 cm ,
IKMC - 021

AIO / HOLLYHOCK (SYMBOL) 1983
Tie - dying and ink painting on Silk crepe (chirimen) with gold wefts
193 x 132 cm ,
IKMC - 021


Sunday, April 22, 2018

Sunday April 22 2018 Drawing at the Museum 3

Eaton Gallery of Rome | Level 3


Belgic Pedestal Urn La Tene III, 918.249.9 



Belgic Pedestol Urn La Tene III, 1. 919.35.37
Earthenware Gaulish 100 - 25 BC 



Two "Belgic" Pedestal Urns, La Tène III Earthenware Gaulish, 100-25 BC 
This pottery was introduce to Britain from Gaul (France) in the 1st century BC. Typical "Belgic" jars are angular or have a series of cordons or Bulges on the shoulders. 


Sunday April 22 2018 Drawing At The Museum 2.

Samuel European Galleries | Level 3

Face on Front. Jug fragment, Red earthen ware, lead glaze, England 1200s 930.29.5, drawn with watercolour pencil crayon

This was excavated from a site in Moorgate Street. London. Human-shaped masks appear in two locations on Medieval English jugs - on the body of the vessel or on the spout.


after being brushed with water at home. 


Jug fragment, Red earthen ware, lead glaze, England 1200s 930.29.5

Sunday April 22 2018 Drawing At The Museum

Samuel European Galleries | Level 3

Back. Conical Jug Red The green colour of the glaze derives from copper compounds/ Red earthenware. lead glazed. 1200 - 1300s  930.14.9

Front. Blaster - shaped jug with Rouen - type decoration. England, London, 1200s 9216.1
The surface has been smeared with yellow slip and decorated with raised lines and dots. Contrast of red-yellow or red- white are typical of such decoration



Blaster - shaped jug with Rouen - type decoration. England, London, 1200s 9216.1

Conical Jug Red The green colour of the glaze derives from copper compounds/ Red earthenware. lead glazed. 1200 - 1300s  930.14.9

Wed. April 18. At the now free Daphne Cockwell Gallery dedicated to First Peoples Art & Culture | Level 1 at the Royal Ontario Museum

a drawing from my new page   Drawing-At-The-Museum

Basket. Athabasca, Western Subarctic Birch Bark. Spruce Root. Early 20th century. HK 1835 gift of Dr. C.T. Currelly in Daphne Cockwell Gallery dedicated to First Peoples Art & Culture | Level 1 at the Royal Ontario Museum