You have heard of Print on Demand well now $10.00 gets you the "Print Your Own" I have done the design now you can do the rest.
now that you have purchased and
downloaded the Print Your Own" 2016 Mud Flap Boy Calendar the
next step is up to you
No doubt you will have to take this to your
favorite print shop to choose the 11" X 17" paper to print this "Beyond
Sexy" calendar on and the kind of binding you want, (with
Hanging hook or get a hole punched)
if you want to print more then one
please think about paying me for them.
thanks and enjoy marking of the days.
View Calendar page here or go directly to my Velvet Highway Ink shopping page where you can by the 2016
MudFlapBoy BeefCake Calander and or my E-poetry Book "And I Do Sing"
both are PDF Downloads
With 10 jacquard woven wall hangings in a suitcase and picking up sticks and yarn to make a back strap loom to string up in a near by tree, or lamppost I will be wondering around the east cost of Canada in August into the fall. With a PowerPoint and the gift of gab (a genetic trait of my Scottish via the east coast roots).i am looking for invitations to hang my work, give a talk and meet guilds and other textile artisans. ( a couch to sleep on, a cup of coffee and ride to the next town perhaps.
Itinerary bookings as of April 26 2015
Bonavista, NL,Church St. Festival, July 27th to August 02. Location Rayns Premises National Historic Site with the Art Walk taking place Friday July 31 2015
Reality as of August 2 2015. My first east coast Pop Up exhibtion has come to an end and if likes and shares facebook and Twitter are to be interpreted in a positive light the show or at least my presence in Bonavista was noted. The location in which I exhibited was rather amazing. Like the former Joseph Simpson Knitting Mills. (1861 – 1947) on Berkeley Street in Toronto and the Canadian National Railway Station in Brantford Ontario (built 1905) it has a history of industrial/ mercantile use and as such has a high ceiling and a large amount of floor space with windows enough to let in adaquite quit light in a per-electric era.
Rayns Premises National Historic Site, Bonavista NFLD
This a photo of me by Bonavista based photographer Loretta Landres at the Fish Store
The rough hew whitewashed in interior of the Fish Store did set of my work
While my exhibition was a Pop Up the interpretative presentation of the processes involved in catching and processing cod is foremost in this space. While unmanned unless a tour group is coming through or a talk or some other presentation is being made I did have the chance to speak with visitors on the days before the official Art Walk event that was scheduled for the Friday evening of the week long Bonavista Church Street Festival. I sat in on one talk giving by a Parks Canada employee for a group of American tourist. She spoke from first had experience of how the moratorium on cod fishing and closing of the Cod Fishery in 1992 effect the local economy, her own her husbands job loss and subsequent leaving to find employment in Ontario and eventual return and becoming an employee of Parks Canada. The audience was extremely receptive and while there was a lot of personal information it was the "workers" voice inserted into the longer history of the Newfoundland and Labrador industry and the specific of the Ryans family business.
I need to thank a bunch of people for making my trip to the Bonavista Church Street Festival possible and the first would be Ruth Weller-Malchow of Bonavista Living & Bonavista Creative for inviting to participate in the Art Walk in the Town of Bonavista and these individuals without who's continuing support of my art it wouldn't have been possible for me to go. Mary Alton David Bateman Doubledee Barnes Lou Ann DeLong Mary French-Pace Kris Lewis Becky Kelley Julie Kirkpatrick Piers Knight and Lana Rottenberg Barb Mcilquham Elaine MacNeill Jeremy Podeswa Michelle Walker and i know I am missing many others who have subscribed to the concept that buying art keeps artist alive and making.Next for me is "Strata-graphic Evidence::the textile work of Joe Lewis” interactive exhibition tour,, catalogue with on-line only component. Cheers until the next time I Pop Up..
While curated exhibitions in professional galleries add to ones resume the spontaneity of a Pop Up show is an equally viable way of building a reputation. Having been a painter who has become a weaver the portability of textiles makes this approach much easier if truth be told. With a one week exhibition scheduled in Bonavista NL the end of July beginning of August and friends scattered through out the maritime I thought I might as well see if I can arrange other exhibition opportunities.
Piecework , Gladstone Hotel
on Queen Street West in Toronto Ontario, October 11 - 14, 200f
I have shown in bars, cafes, restaurants, beauty parlours , libraries, train stations, church halls, empty storefronts, old factories, summer kitchens, garages, a former Orange Man's Hall a Quonset Hut, (Guild Hall, Whitehorse) in other artist studios, peoples living rooms and on a clothesline in a back yard.
3Hangings on backyard clothes line Brantford ON
The "Joe Lewis Itinerant Weaver" trunk show consist of 10 jacquard works woven at the Montreal Centre for Contemporary Textiles between 2003 -2011, it is 34 running feet/(10.3 meters) and easily hung. While my PowerPoint ramblings are as much story telling as "lecture" they have a thread of 5000 years of technical developments in weaving, a wide look at contemporary fibre arts or a an up close look at weavers / artist working with Jacquard looms to make their work'
Lia, Cook, (california) Kathy Schicker London England and me (Toronto) in front of Kathy's "Sisters" piece at the opening of
"Telling Tales: Narrative Woven Textiles by Joe Lewis and Kathy
Schicker" Berkeley Castle, Toronto (tin the former Joseph Simpsons Knitting Mill 1861 – 1945. _____________________________________________________________________
Schedule TBA
I f you are interested in inviting me to show contact me via e-mail.
fibre_quarterly@yahoo.ca put "Joe Lewis Pop UP in the subject line
"Beyond the Studio, Joe Lewis: Holding the Torch High". by Graham McCracken pg. 29 Fibre Focus Autumn 2010, Volume 53, Number 3 'Joe Lewis Jacquard Weaver' by Graham McCracken: http://www.ohs.on.ca/members/fibre-focus-magazine/ is a download from the website,
Join the exclusive club of international collectors of Joe Lewis
which began in 1985 and has continued through the changes in media from
painting and drawing through quilting and applique to weaving. (some
collectors have posted photos of pieces they own on facebook) In this
Facebook (mock) Store smaller readily affordable Items will be posted
with a set price If you want to purchase an item at the set price leave
a comment or if you are bashful e-mail it to me at
velvethighway@gmail.com and I will update the item as on hold and you
have a 24 time period to make payment arrangements. If not the item
becomes available again, (you are welcome to offer more then the set
price and compete with others to have your very own #JoeLewisArtWork) Payments can be made through PayPal, money order or if with in Canada via bank e-transfer
View from deserted mine site in Northern BC. Dunwell
Mines includes 32 Crown-granted claims (Dunwell, Lot 4286; Ben Hur
(Silver Arrow Lot 870; George E, Lot 872, etc.) on Glacier Creek about 4
miles north of Stewart. http://www.stewartbc.com/dunwell.htm —
you can see images from my first trip to the Yukon on Facebook.
The
above two works did have what I assumed were firm offers made on them
but no payment has been forth coming. If they have not been paid for by
the end of January they will be for sale again ______________________________________________________
