Sunday, December 01, 2024

1988 a year of discovery


Turning to Stone  30 X  53 1988

 In 1988 I was full of rage. Too many friends were disappearing from AIDS and the world was remaining impossible. Painting helped me stay civilized in a an uncivilized world. Today is December 1 2024 World AIDS DAY. the world feels more uncivilized now than in 1988, More targets have been sighted and the language of war has entered the discourse. I may have become more civilized if not more subtle in my making/ story telling but the rage is still with me. 


I can stop loving you 1988, acrylic on canvas, 20” X 20”,

Kaposia Sam 1988 30” X 58” acrylic on cardboard

Late one night in the spring of 1988 a month or so so after I had been diagnosed HIV + I was walking along Queen Street West in my hometown of Toronto having just come from the Cameron Public House when I came upon a friend sitting in a step crying. He looked up me I saw the lesions on his forehead and cheek. I pulled him up and hugged him and kissed him full on the mouth.  We didn't have a sexual relationship, i felt his body relax, He step back and rubbed his mouth with his sleeve and smiling said "Ohh Gross" we laughed. I said "Bad day" he said "yes". 

We walked back towards Spadina so he could catch the Spadina Bus back to the Annex and I walked back to my studio at Widmer and Adelaide and painted this. He passed away a few months later. That was to common an occurrence, the dying, not the kissing. He wasn't the first or the last friend i found crying.

 
Memory Game, 1988 acrylic on Masonite, 35” X 48”

Trying to remember people who are as young or younger then yourself when you have hardly known them long enough to get to know them. I can say that now since i am in my mid 60s  but when your 31 and a guy you have known for 5 years dies it's like having some one reach down your throat grab hold of your heart and pull it out. The question is how do you paint that,  

Where (Blue Crew neck) 1988, pastels and pen on Stonehenge paper 13” X 20”

When i say 5 years its more like a year or less of weekends because you live in different cities and you don't have a great long distance plan, but your both story tellers. So its the stories that stick. 

empty chair 1988 pastel on paper
The chair remains empty.

34 years ago last August this documentary about me and my family's reaction to my HIV + diagnosis aired on the CBC's program Canadian Reflections.  CineFocus Canada has made this 14 minute film available on Vimeo. I told my family about my diagnose soon after i got it in March 1988. Nearly two years later I was very proud to be the subject of this documentary and proud of my family's willingness to be in this film. Being me I couldn't resist drawing a movie poster for the Documentary.

 This is the link the documentary on Cinefocus's Vimeo page






I have many stories 




October 8 2024. In 1976 two men were seen kissing on the corner of Young and Bloor streets in Toronto. They were arrested and charged with "Public Indecency" in response a protest was organized, a public kiss in at the same intersection. Three man i knew at the time and / know were part of this protest Ed Jackson, and Tim McCaskell share a kiss at the corner of Yonge and Bloor Sts., as Gerald Hannon (July 10, 1944 – May 9, 2022)) (looks on. They restaged this event for the Toronto Star in 2015. In the summer of 1981 in the lower east side in Manhattan, my buddy, who became a friend Peter Sinclair ( January 23, 1955 - August 21, 1990) decided we were hungry and decided to go out and get some food, walking across 10 st to Second Ave we took each others hands. a bolt of lighting went through my body, my brain , my heart. It was one of the most exciting/ intimate/ innocent and erotic things that has ever happened to me. Looking like two guys in the cast of West Side Story which was having a revival directed by Debbie Allen that summer we must have been a sight. Even in New York City at that time seeing two guys holding hands outside of the West Village was a novelty. These days it isn't an every day sighting in downtown Toronto and went i see it I have to resist the urge to interview them. That may sound silly or strange but for me the idea of walking down the street holding another man's hand still excites me, it also saddens me, since it has been along time. Holding Peter's hand while out was instantly natural, a few years later getting Michael Kelley (February 10, 1961-December 29, 1987 ) to hold my hand in public was an battle i gave up on, I never figured out his fear of showing public intimacy but he was uncomfortable with my politically in your face artwork. That two men holding hands might still be or be seen as a political act is kind of disconcerting but it warms my heart. Never be afraid of holding someone's hand outside.

Thursday, September 12, 2024

September 10, 2024 Banned, Removed disoposed of on whim


On Steotember 10 2024, I was banned from Facebook for 180 days. for posting these two imges. I can't figure out why .





 

Tuesday, November 08, 2022

THE 7th INTERNATIONAL TEXTILE AND FIBRE ART EXHIBITION “FIBREMEN” Ivano-Frankivs’k, Ukraine, November 8-22, 2022


 Two of my works along with work byf 33 artists from 18 countries are now on exhibit in the FIBREMEN 7 International exhibition presented by Scythia 


The concept:

“Historically women and the textile media have always been closely linked. Even in the words, which are used to describe the art works done by women we feel preferential role of women. Delicate, tiny, small… Can men make tiny, delicate art works? Frequently the word – simple – is used in description of art works done by women. Simple sample, simple pattern… Simple for whom? Can be this pattern simple for men?

Such women like terminology devalues the works done by women and diminishes the real status of any textile work.

The role of men in Ukraine is not traditionally connected with textile media, like in most countries of the world. But there are still men in textile art world, who have made outstanding success. The amount of men in textile art is strong enough everywhere in the world. But it is undeniable that the majority of textile artists are still women.

With this exhibition I would like to give more exhibition space and to support male textile artists. This exhibition will be for those of them, who continue to pursue their work and have success in the art world.

There is still in the world wave of women textile exhibitions. But today it is more and more common to see men expressing their experience of being male in this world though their textile art works. They weave, sew, embroider, make quilts, and make innovative fabrics. They work in fashion and textile industries. Lots of them are curators, lecturers of prestigious universities. This list of men’s achievements in the sphere of textile is unlimited.

William Pollack in his book « Real Boys » wrote: « Society is judging the behaviour of boys against outmoded ideas about masculinity. By placing a boy in this gender straight jacket, society is limiting his emotional range. » As a project founder I don’t want in any way to limit men in their emotional range and in creativity. So no limits as for textile techniques and textile materials.

I hope to see in Ivano-Frankivs’k art works of textile artists, who dedicated their life and their biggest love to Textile. “

Ludmila Egorova 



Shield: unnoticeable man

Dimensions (cm.) 22.86 X 24.1Materials & technique, year completed Cotton, silk, tulle, embroidery floss, sewing thread. Pieced and quilted with appliqué, 2021





Square unnoticeable man

Dimensions (cm.) 31.75cm X 31.75
Materials & technique, year completed Cotton , 3.25mm wool yarn and linen thread, pulled thread and couching 2021

Saturday, October 23, 2021

One Thought: 20 Years of Making Textile works


One Thought: 20 Years of Making Textile works by joe lewis. 

September 3 – 28, 2021 

Atelier Ludmila Gallery 129 1/2 Hunter St. W, #1 Peterborough ON.

 

When I was invited to pay to show in a commercial gallery in Peterborough Ontario I decided to go for it and use the walls to look at a body of work that i have been working on since my first trip to the lands inhabited by the Gwichʼin, the Hän, the Kaska Dena, the Tagish, the Northern and Southern Tutchone, and the Tlingit (Teslin) peoples in the lands know as the Yukon ( a Gwich'in name meaning "great river." )  Territories in Canada's north. 

Out of  this trip a new visual vocabulary based on road signs enter my work but one in particular came to the fore. A silhouette recognizable as a body builder competition pose. It struck me at the time was right to have an objectified male figure to use to explore the reactions of a viewing audience. My ideas about how this figure might be viewed recently when i was working on the newest banner pieces when the cut out figure could be read as child size with all the energy and curiosity bottled up inside ready to leap into action. i had to let go of my cynicism

How people respond to my work has always intrigued me. The idea of using one image only opened the widow to exploring / learning different weaving techniques; Jacquard and Tapestry and numerous surface design techniques; needle work, image transfer, appliqué, piecing and natural dying. 


SAMPLERS 


    “In different terms”

 1999-2021
thermal transfer on felt with couching on found damask
26″ x 25″,  $275

 


 “Waiting”
2007- 2021

Natural dyes, transfer print appliqué on cotton handkerchief 18″ x 18″   

 $350

 


 “Working men in log cabin” 

1997 - 2020
Pieced cotton quilt square. Varnish transfer and appliqué
12″ x 12″,  $275

 

 

“Two”

 2017
Applique with chain stitch on pieced fabrics unknown fibre
24″ x 12″,  $350

 


 untitled
2021, 

pulled thread and chain stitch on layered cotton12.5″ x 12.5″,

 $275

 

 

Man In Garden”
2017-2021

reverse appliqué, appliqué and stitching
4′ x 32″ approx., 

 $1,200

 


 “Sampler
2019

 pulled thread work and chain stitch on found linen place mat
19″ x 13″,  

$350


“Shield: unnoticeable man”
1998 - 2021
pieced fabric and chain stitch appliqué
9″x 9.5″, 
$250


 “Dreaming
2015 thermal transfer on cotton, chain stitch 11″ x 11″

$300



 

Frame
2021 mixed fiber, cotton appliqué and embroidery 24″ x 19″,
 $350

 


Wistful
2021, printed organza and lace appliqué
15″ x 8.5″ 
NFS

 Jacquard Woven Hangings


"(Mud Flap) Boy in Landscape“ 
2007, 
Jacquard Woven Textile
48.26 cm w X 76.5 cm h
19” w X 30” h
Warp: 6 colour repeat cotton,
Weft: 2 1st shuttle mixed white 2/8 cotton
and mesmerized sewing thread
2nd shuttle Black 2/8 Cotton, 

 


Red Tool Belt, 
2003, 
Jacquard Woven Textile
68.58 cm X 101.6 cm
27” h X 40” w
Warp: cotton,
Weft: 1 shuttle, cotton and metallic 

Reflections on The Man in the Moon
 2010, Jacquard Woven Textile
Dimensions
48.26 cm wide X 142. cm h
19” w X 55.9 “ h
Warp six colour repeated cotton
Weft 1st shuttle black
2nd shuttle White



Blue Sky With Red Rose Camouflage
 2007, Jacquard Woven Textile, 48.26
cm wide X 1.42 meters High (19 “ X 56”)
Warp: 6 colour repeat cotton
Weft: 3 colour
1st shuttle Black 4/8 cotton and mercerized
sewing thread
2nd Red mixed 4/8 cotton and 2 shades of red
mercerized cotton sewing thread
3rd Grey mercerized cotton sewing thread 




“Young Harlequin In The Landscape”  
 2007, Jacquard Woven Textile
48.26 cm w X 142. cm h
19 “ w X 56”h
Warp: 6 colour repeat cotton
Weft: 3 colour/
1st Black mixed 4/8 cotton and sewing thread
2nd grey mercerized cotton and sewing
thread
3rd white 4/8 cotton


“Blue Genes” 
2003,
 Jacquard Woven Textile
68 cm x 105. cm
27”h X 40” w
Warp: cotton,
Weft:1 shuttle, cotton and metallic

BANNERS


Sky Child”
2021
painted canvas with reverse appliqué with pieced band
19″ x 4′ $2,000



Dancing Child”
2021
Pieced found textile appliqué on silk 19″ x 4′ $2,000

 

 

 

a new though to be continued.

 ___________________________________

 

To see an overview of past work (1985 - 2008) you can visit my Visual AIDS profile

Visual AIDS/ JoeLewis